Henry Martin was a contract cartoonist for The New Yorker. Mr Martin drew, so I am told by a cartoonist friend of his, five finished cartoons a day. The interview below, from Cartoonist PROfiles #14, June 1972, corroborates this.This was back in the day when most cartoonists presented pencil roughs. A batch of these roughs were shown to the editor, usually on "look day;" the day that
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